Antonio Guerreiro de Faria, "O pianismo de Nazareth em tempo rubato," Per Musi, Belo Horizonte, n.10, jul-dec 2004, p. 89-95
Pianistic features of Ernesto Nazareth in tempo rubato
Abstract: Discussion about the interpretations of musicologist Mario de Andrade’s writings which considered the
music of Brazilian composer Ernesto Nazareth as directly influenced by Chopin, departing from the historical
recordings featuring Nazareth playing his own music. It also includes some considerations about the use of
tempo rubato by piano players in order to characterize this influence.